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489 Hart Street (1883)
491 Hart Street (1883)
493 Hart Street (1883)
495 Hart Street (1883)
497 Hart Street (1883)

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Recent Articles

History of the South Third Street Presbyterian Church

The South Third Street Presbyterian Church of Williamsburgh is one of the oldest congregations in Williamsburg. The church was organized on April 19, 1844 in a meeting held at the public school at South Third Street and Fifth Street (Driggs Avenue) - across the street from the current church. The church was founded with 27 members, most of whom came from the First Presbyterian Church of Williamsburgh.

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Mae West Didn't Live Here

The most distinctive feature of Teddy’s Bar at 96 Berry Street is the projecting wood and sheet-copper corner storefront with a beautiful decorativ

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St. Peter Claver Church & Institute

The history of St. Peter Claver parish dates to 1915, the year that the Catholic Colored Club (CCC) was founded by Jules DeWeever. The Club was formed with the express purpose of having a “Church for Colored Catholics established in this [Brooklyn] Diocese.” Coincidentally, at about the same time, in 1916 Bishop McDonnell of Brooklyn called for the establishment of “Home Missions” to meet the needs of the heterogenous Catholic population of the Diocese. Rev. Bernard Quinn responded to the Bishop’s call by proposing the establishment of a church for African Americans, and volunteered to work on this "Colored Mission" for the Diocese.

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Domino Sugar Refinery

The Domino Sugar Refinery is one of the most prominent industrial sites on the East River waterfront. The complex consists of seven larger buildings and many other smaller structures, occupying a six-block site on the Williamsburg waterfront immediately north of the Williamsburg Bridge. The existing complex includes two buildings from the refinery’s earliest period of construction, 1884, as well as a number of other significant structures from the 1920s-1930s and 1950s-1960s.

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Congregation Ahavas Israel & Temple Beth-El

Brooklyn is called the borough of churches, and in the 19th century, it seems that Brooklyn was also a big game of musical churches. Congregations would start up, grow quickly, and then split up or just plain disappear. Often the splits were the result of doctrinal disagreements among congregants or between congregants and their pastor. It was not uncommon for half a congregation to walk away from their church and establish a new church a few blocks away. Other times, demographics would lead to changes in congregations. As one result of all this factional tumult, church buildings would frequently change hands, being passed from denomination to denomination or among congregants of the same denomination.

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Engelhardt's Cast-Iron Building

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