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  • Constructed with 97 to 101 Franklin Street, this handsome pair of richly-decorated tenements is clad in red brick with sandstone trim, terrace cotta trim and iron cornices. The terra cotta details include decorative tiles in the lower spandrel areas and vertical piers between paired windows at 109, and at decorative panels within the round and segmental arches at the fourth floor. The sandstone trim (perhaps an Ohio stone) is a mix of rock-faced lintels and arch spring blocks and flat sills and sill courses. The flat-arch windows feature splayed brick lintels.

  • Partnership of J. William Schickel and Isaac E. Ditmars. Active primarily in New York City as well as in Brooklyn. The firm was especially known for its work on Roman Catholic churches for German congregations.

  • Stephen W. Dodge & Robert Morrison.

  • Architect of St. Luke's German Evangelical Lutheran Church (1894), St. Mark's Protestant Episcopal Church, 222 Adelphi Street (Marshall & Walters, 1888), Memorial Presbyterain Church (Pugin & Walter, 1882-83), Chapel and Sunday School (Marshall & Walter, 1883), Seventh Avenue & St. John's Place.

  • First mass on the morning of August 4, 1889, in the second floor of the frame building at 1747 Fulton Street. Ground for the church was purchased in September, 1889, and in October the corner stone was laid by the late Bishop Laughlin.1Designed by Thomas F. Houghton.2

  • William Bunker Tubby (1858-1944) was a graduate of Brooklyn Polytechnic Institute in 1875. Tubby worked briefly in the office of Ebenezer Roberts, but by 1883 had established his own practice. Tubby worked extensively for the Pratt family, designing buildings for Pratt Institute and homes, garages and even mausolea for the family. Tubby also designed many private homes in Brooklyn Heights and elsewhere in the borough, as well as a police precinct and four of Brooklyn's Carnegie Libraries.

  • 1872 - 1954. Born in Philadelphia and educated at Spring Garden Institute, the Franklin Institute and the Universtiy of Penssylvania. Perrot interned with with George Plowman and Charles C. Haines, after which he spent two years with Catholic church architect E. F. Durang. After leaving Durang's office, he went to work at Hales & Ballinger, architects and engineers. After Hales' retirement, Perrot joined the partnership, which became Ballinger & Perrot. Perrot left the partnership in 1920 to begin his own practice.

  • Partnership of Frank V. Laspia and Lee Samenfeld. Did a lot of work in sourthern Brooklyn, Bensonhurst in particular, in the 1920s and 1930s. Responsible for many tapestry brick buildings and alterations of older buildings in the 1920s tapestry brick style.

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